To learn drums online to a good level you need to make sure you follow these three simple steps; find a website that provides a step by step guide to drumming, make sure you learn to hold the sticks the correct way (whether it’s standard or traditional grip) from the start, learn the six base rudiments to an exceptional standard.

Finding a drum tuition website

This is obviously the easiest step. Make sure you don’t rush your decision as these website will have a signing up fee. Try to find a website that will provide ebooks, video tutorials, audio files, one to one help and an active user forum. If you find somewhere that will provide you with all of these components then you will be able to start and learn without ever having to stray too far.

Learning to hold drumsticks

It is very important that you don’t skip this step! There are rules for this sort of thing for a reason. There are two types of grip for holding drumsticks, standard and traditional. Although I believe a drummer should learn to play with both eventually I think a beginner should stick to standard grip. Both of these drumstick grips may seem uncomfortable at first but if you learn using the proper technique from the start it will really improve your drumming in the long run.

The six base rudiments

A drum rudiment is a pattern that are the basic building blocks of drumming. If you learn all of the rudiments inside out then there should be nothing you won’t eventually be able to do. Overall there are forty drum rudiments. A beginner should learn the six base rudiments perfectly before learning any others, if you can play the six base rudiments perfectly then all the others will soon come into place. The six base rudiments are:

1. Single stroke roll
2. Multiple bounce roll
3. Double stroke rolls
4. Diddle
5. Flam
6. Drag

If you are serious about drumming and want to learn drums online then you must follow these rules. Once you have mastered the grip and six base rudiments then you can be more free to take your drumming in the direction you want.

Do You Want To Learn Drums Online?
Having Trouble With Your Drumming Technique
Improve Your Drumming Now With Professional Online Drum Tuition Right Here: Learn Drumming Online

Drums are actually examples of percussions, which refer to musical instruments that produce sound when rubbed, shaken or hit. According to some historians and anthropologists, percussions were the first musical instruments humans invented.

The percussion instruments are grouped into different categories depending on how they are used and the type of sound they produce. The two main categories are membraphones and idiophones.

Membraphones:

Membraphones are also known as rhythmic percussions. They have different types of skin that players hit with other objects, including their own hands, drumsticks, soft mallets and brushes. Most of the membraphones do not have definite pitch. Examples of rhythmic percussions are drum sets and timpani.

Drum sets were initially assembled towards the end of the 1800s. The bass drum pedal that had been invented by then enabled one person to play a number of instruments simultaneously. New techniques were developed as more instruments were included in the drum set. Basically, a drum set refers to a group of percussion instruments that one musician plays.

The largest of these instruments is the bass drum, which produces a deep, low sound. It produces this sound when the drum head is hit by a beater that is attached to a foot pedal.

The snare drum, which is made of a shallow cylinder and band of metal wires, produces a higher-pitched sound that is quite distinctive. Sound is generated by pulling the wires across the drum’s bottom head. Depending on how it is played, the snare drum produces either a snapping or buzzing sound.

Timpani, on the other hand, is made of either fiberglass or copper in the shape of a kettle, with a drumhead on top. The player can adjust the drumhead’s tension using a pedal mechanism; thus changing the pitch produced. As a result, it is the only type of drum that produces definite musical notes. Timpani can also be hit with mallets to produce a deeper tone and they are usually played in groups of two or four.

Other instruments in this group include the tabla, tom-tom, octoban, darbuka, bongos and congas. Membraphones are basically the drums, whether they are manual or electronic.

Ideophones:

These instruments are often made of a single type of material and they produce sound on their own. Some of the materials used include metal, wood and bone. These musical instruments are also known as melodic percussions.

A good example of melodic percussion is the xylophone, which is made of wooden bars of varying sizes. Mallets are used to strike the bars to generate the required sound.

The South-east Asians were already using xylophones by the 1300s and their use later spread to Europe, Latin America and Africa. The first time a xylophone was used in an orchestra was in 1874, in ‘Dance Macabre’ by Camille Saint-Saens who was a French composer.

Other Percussion Instruments:

Different types of musical instruments also fall under percussions, among of which are cymbals, triangles, gongs, maracas and tambourine. Some interesting things are associated with the instruments. For instance, the tambourine used to be a woman’s instrument during prehistoric times and it is still regarded as such in Islamic nations.

Some of the things determining the choice of instruments include musical genre, financial circumstances and personal preferences.

For the widest selection online of Drums & Percussions on sale be sure to visit the Musical Instruments Store.

I’ve had the pleasure of playing several different types, brands, and styles of electronic drums in the past, and I couldn’t agree more that Roland has the edge. In their newer models, they feature drum shells, which make it appear as if the person playing them is playing on an acoustic set. The kick drum is bigger than the other included drums, making it extremely easy to play with a double bass pedal. The drum heads provided on the top Roland sets are not only mesh, but they’re extremely durable for even the hardest of players, making them good for nearly any style of music, including rock and metal. They feature fully customizable, rubber rims, making it even better than acoustic sets, in the fact that every rim shot can make different sounds, such as a click, cowbell, or even a second drum! The cymbals (which is where most other companies lack) are made of a strong plastic/rubber feeling material, and will pick up as many beats as you can dish out per minute, without the lag of most others. They even have 3 different sounds per cymbal, which include the crash (on the edge of the cymbal), the ride (hitting with the tip of the stick), and even the bell has it’s own sound! But don’t stop there, the cymbals included with the top Roland sets can even be choked!

The control module (also referred to as the “brain”, or “computer”) consists of multiple inputs and outputs to assist with recording, or running to a live soundboard. This is evident with most electronic drum companies. Electronic drums are only as good as the computer processing the sound, using “triggering” beneath the heads, and with most brands, their “top of the line” sets can keep up with average playing. The control modules feature a wide array of fully customizable sounds, and are completely customizable. Often times the tuning of the drums can be adjusted, as well as the percussion sound itself. Meaning you can make your floor tom sound like a kick drum, a snare, cymbal, and so on. The same is true with the other remaining pads that make up the electronic drum set.

Acoustic sets can also be turned into an electric set (otherwise known as a “hybrid” drum set). To do this, you need drum triggers, a control module, and lots of wiring. In cases of using this setup for volume purposes, they even make mesh drum heads to reduce the volume to nearly nothing, while not sacrificing the feel of the stick coming off the head, or “stick bounce”. A company named “Ddrum” is one of the leaders in acoustic drum triggers, and while other companies produce them too, a majority of the drummers who’ve tried them, will recommend Ddrum. This is my personal favorite kind of electronic drums, because at one show, you can keep the volume down as low as the sound guy wants it, allowing for more present, yet not ear-piercing vocals, and at the next show, with very little work changing the heads, you can play a fully mic’d, outdoor concert. Win-win situation!

Whatever the case may be, there are budget-friendly electronic drum sets available as well as higher priced kits (Ranging anywhere from $600 all the way up to $7000) to fit your needs as a drummer. Personally, go to your local Guitar Center, or a local drum shop that has electronic sets on display to play with, and just mess around with the kits in your budged. You may decide that the cheaper sets fit your needs just fine, or if you dare, shop around on the internet, get a control module, some triggers, and cables, and get the best of both worlds.

Either way you go, I think you’ll appreciate the electronic drums, and what they’re doing to the music industry. Allowing drummers to have every sound effect and drum they would want, without the massive setups, and no longer sounding and looking like electronic drums.

Tony Riot has been a drummer for over 2 decades, and is providing his experience, knowledge, and know how to every drummer, beginner and experienced. For more information from Riot on drums, visit his site at http://playingdrum.com

So what’s first? Well, some might say that getting a drum kit is pretty important but this just isn’t the case. I learnt to play drums on the side of chairs and on cushions before my Dad bought me my first drum kit. Also, you might not be able to afford a drum kit to start off with so what else can you do? Well, you could…

1. Try to become friends or get to know a drummer local to you. Do you have a friend that already plays the drums? It’s always good to learn some stuff from somebody you already know and most musicians are more than happy to show a beginner a trick or two. Just ask!

2. If you’re lucky enough to still be going to school then does your local school own a drum kit? If so then ask if you can have a play on it sometime, either in break time or after school. This could be a great chance for you to either practice some ideas if you don’t have a drum kit at home or just to try out the drums for the first time. Also gives you a chance to experience the full volume of a real drum kit for the first time… BANGBANG!!

Of course, nothing beats (no pun intended) owning your own drum set but don’t feel like you can’t learn without one. Drums are different to other instruments in that you can learn to play by tapping on any surface. Sure, it’s not the same and you will soon reach a wall in your playing but at least you get a chance to learn before making any financial commitment on a drum kit.

Once you’ve either got a drum kit or are satisfied with your practice equipment/chair situation then the next step has to be…

3. Play along to Music (CD/MP3′s). Start with simple songs and just dive in. I’m completely self taught (originally) and just started off by listening carefully to my favourite songs and trying to copy the drum beats. Looking back I made loads or mistakes but I learned from every single one. Each time I made a mistake I would remember it for next time and slowly over time I improved and (to my surprise) became very good, considering I didn’t have a teacher for the first 6 years of my playing! Just be brave and start playing, you’ll be surprised how quickly you pick things up!

4. Get free drum lessons from online websites and YouTube. There are so many online sources of free education available out there that it would be silly not to take advantage of it.

5. Learn to play at least a few common beginner drum beats and learn to play them in your sleep! You will find that most songs contain just a few basic beats that drummers then chop and change (add and remove notes) to suit the song. One of the most common and basic drum beats can be seen and heard from the Beginner Video Drum Lesson link above (listed as Part 1 – Eighth Note Hi-Hat) This basic drum beat can be heard on countless recordings and is well worth learning… in fact, it’s unavoidable if you want to play drums.

You now have a few options open to you depending on where you want to take your drumming.

6. You might like to learn how to read some basic notation. I talk about the benefits of this in one of my articles under the Free Drum Lessons/Article section of my website. This article explains all of the positives and negatives for learning to read music. I’m obviously biased but with good reason, I think learning to read and write music notation is one of the best things you can do for your playing. It’s also no coincidence to find out that most other readers also think the same.

7. Get yourself a GOOD drum teacher! Yep, there’s no denying that a drum teacher is going to have a huge affect on your playing. Finding a good drum teacher (and it’s worth shopping around) will not only make you a better drummer but will improve you quicker and help you to avoid the little pitfalls and dead ends that most self taught drummers (including myself) suffered within those first few years of playing.

Also, it’s worth mentioning that a teacher might not always know best. I try to be as humble as possible with my students as we all make mistakes. Sometimes what I think is best for the pupil might not be. I trust that my pupil will speak up when they feel that perhaps a better direction might be more suitable for them. Let your teacher know exactly what you want to learn. If you want to learn just Jazz then say so, it’s your money!

This has been just a quick and brief introduction to getting started on the drums and you can find further drum articles relating to this subject on my website. Just take a look around the site and have fun learning!

Please feel free to email me if you wish to ask me any questions at all. I’ll be happy to help you in any way I can.

Happy drumming to you!

Rob (Drummer and Self Confessed Drum-Nut)

Robert Litten is a Drummer and Teacher of 20 years experience who now spends his time building and running the webs premier online Video Drum Lesson & Sheet Music website http://www.DrumsTheWord.com.

Drums The Word – 100′s of Free Video Drum Lessons, from Beginners to Advanced. Easily learn how to play drums to your favourite songs!

Notation of drum kit music once commonly employed the bass clef, but a neutral clef of two parallel vertical lines, sometimes referred to as the
percussion or drum clef, is usually preferred now.
(All note letter names in the “Techniques” section refer to the bass clef.) Drum set notation is not standardized, although there are common conventions.
It is usual to label each instrument and technique when it is introduced or to add an explanatory footnote. Below is an example of drum set notation
(all note letter-names in the “Techniques” section refer to the bass clef):

Drums

Cymbals

Other

Mounted triangle: ledger-line high C with “X” replacing notehead. Maraca: high-B with “+” replacing notehead. Mounted tambourine: high-B with ”X” through conventional notehead.

Techniques

Rolls: Diagonal lines across stem (or above whole note). Open hi-hat: o above high-G X. Closed hi-hat: + above high-G X. Rim click: X in E snare space.
Stick shot: diagonal slash through note head. Brush sweep: horizontal line (replacing note head) in E snare space with slur to show brush is not lifted.
(With stem this looks rather like a long “T” or a long inverted “T”, depending which way the stem is going.)

Dynamic accents

Anti-accents

1. Slightly softer than surrounding notes: u (breve
   above or below–inverted–notehead)
2. Significantly softer than surrounding notes:
   ( ) (note head in parentheses)
3. Much softer than surrounding notes: [ ]
   (note head in brackets)

(Ghost note is a less formal alternative term which may refer either to anti-accentuation in general or to a particular degree of anti-accentuation–ghost notes are often
considered to be especially faint.)

1. One must not forget to detune your drums slightly before packing up, especially in more humid conditions. This preserves the life of the heads and allows them maintain their elasticity.

2. Don’t miss Drum Bum’s drum tab database.

3. When you change your drumheads, write the date in small numbers off to the side of each head. This will help you know how long it’s been since the last time it’s been changed. Remember that there is no specific period of time to gauge when you should replace your heads. It should depend on how they sound (feel), how hard you hit and how often you play.

4. Simply tape 4 or 5 pennies to the back of a 5″ strip of duct tape (about 1″ wide) and tape it to the bell of your ride. This will allow your cymbal to sizzle as if it had rivets in it.

5. One must remember the local library as a rich resource of information about drums, drum set, miscellaneous drum things and overall percussion. So one must keep in contact with them to maintain a drum set.

6. It is also very necessary to clean the drum set from time to time. It is cleaned by sandpaper. Sometimes comet used for this use. If that scares you, then try dish soap and water with a heavy nylon scrub brush. A cheap old hair brush with thick wiry bristles works great. Best type of maintenance is always wiping your cymbals down before storing them away. If you still have the plastic bag that your cymbal came in, put the cymbal in the bag before putting it in your case. This helps to keep gunk off the cymbal while it’s being stored and helps prevent the cymbals from wearing each other down as they’re bounced around during travel.

Article Source: http://EzineArticles.com/?expert=Peter_Lenkefi

You wouldn’t believe how many people ask me about micing their kick drums. It leads me to believe people really don’t know how to.

-ON SOAPBOX-
It became so fashionable in the mid-90′s through the early 2000′s to use MIDI or sampled drum sounds in productions that many people now have no idea how to record a “real” drum when the “band” or “live” sound came back in.

-OFF SOAPBOX-

So, first things first. You need to make sure the actual sound source, in this case the drum, sounds as good as it can sound. You might have to “sell” the idea to the drummer that just because his drum set sounds or works a certain way in a live setting, that might, (probably) won’t sound good in the studio.

One of the initial assessments you must make is determining the value of the drum. This isn’t a precise science and if you are not a drummer, this probably won’t be common knowledge. But it is pretty easy to learn. The next time you are in your local music store drooling over the latest TC Electronics piece, work your way over to the drum department. Pay close attention to the difference in the shells between the inexpensive sets (say $1000 or less) and the more expensive sets (those over $1000). If the shell is pure wood, like maple or birch, it typically needs less muffling in the recording process. If the shell is some type of wood or fiberglass wrap, as commonly found on less expensive kits, they normally require more muffling for recording purposes.

Less muffling usually means keeping the front (non-beater) head on. This way, the drum can vibrate fully and resonate completely. The ringing may sound like too much, but most of the ring will be lost in the mix. Again, this is a different mindset than live. In a live situation, you would want to control the ring as much as possible to avoid feedback. If you start recording and the drum is still ringing too much for your taste, start muffling a little bit at a time. A thin blanket laid inside the drum will usually do the trick.

With less expensive drums that need more muffling, take the front head completely off or at least make sure that there is a good size mic hole cut into the head. Muffle with pillows and/or blankets. There are beater, or back, heads that come pre-muffled. If possible, use a head that is not muffled. These muffled heads work great in a live setting but do not give you as much control in the studio. Add or take away muffling as needed. Keep this in mind, though, although much of the ringing will still be lost in the mix, the tone that an inexpensive shell puts out is not nearly as “sweet” as a better shell. It is usually in your best interest as an engineer to cut as much of this ring without losing all of the tone.

The second aspect of micing a kick drum is the mic itself. Usually, a dynamic mic with the largest diaphragm you can find is the best bet. My all-time favorite mic for kick drums is the EV RE20. This mic is fairly expensive for a dynamic mic, though, and many home studios do not have them in their mic aresenal. The AKG D112 is a good choice. Sennheiser has its E series that is pretty good. If all else fails, you can always use a Shure SM57. You need a couple of these in your studio anyway.

The last part of micing your kick drum is the mic placement. A few inches one way or another can make or break your recording, so experiment, experiment, experiment! As a general rule, the more muffled your drum is the deeper inside the drum you want to place your mic. Start with the mic flush with the front head with the mic facing the beater and keep moving the mic further and further into the drum until you get the perfect balance between tone and the “slap” or “click” of the beater.

Here are some tricks that I have personally used with good results:

- to get more “click” or beater sound

Switch beater from cloth to wood. These can be bought at your local music store.

On top of pillows or blankets, sit a cinder block. It gave me a “punchier” sound.

Use a seperate mic in back of the kick drum by the drummer’s foot facing the beater. – not enough low end

Set a chair a few feet in front of kick drum and drape a heavy blanket from the drum to the chair. (You may need to use a bit of duct tape to get the blanket to stay on the drum.) Set the mic under the chair facing the kick drum. This tends to focus the low end and let it develop a bit more before it reaches the mic.

Whew! That’s alot of work, huh? Again, don’t be afraid to experiment.

Philip Langlais is the founder of iKnowAudio.com, the site for affordable, practical online audio production training. We specialize in teaching you the art of digital recording, mixing, editing, mastering, how to use compressors, eq’s, reverbs, etc.

Article Source: http://EzineArticles.com/?expert=Philip_Langlais

1. Bass Drum: This instrument uses one head to be struck. The open side of the bass drum allows the user to place a “sound absorption” blanket to kill lengthy resonation.

2. Support Rods: Four of these metal rods keep the drum in place as it is hit by the mallet head on the end of the foot pedal.

3. Foot Pedal: This attaches to the floor side of the head-rim to allow the foot maximum flexibility of tempo and dynamics of soft and loud.

4. Snare Drum: This circular shell is 5 1/2″ deep and 14″ in diameter. It fits on a stand and sits between the knees of the seated player. It is encased by 2 skin or plastic heads secured by clamps and screw-bolt devices called “lugs”. The top head is struck with the drum sticks or brushes. The bottom head has a 1 1/2″ wide collection of adjustable parallel metal wires. These are the “snares” and can be loosened or tightened by a threaded bolt device called a “strainer”. These snares vibrate sympathetically when the top head is struck. They can be disabled using a “trigger switch” located on the side of the snare shell.

5. Sticks: Two round sticks 12 – 14″ in length each with a small and a large end. The “tip” is the small end. The “butt” is the large end. The tip is used to produce sound more often than the butt.

6. Brushes: Six to eight inches of “fan-shaped” wires extend from the end of a storage tube. These produce a very light weight sound when used on the snare drum or the cymbal.

7. Adjustable stool: The drummer uses this for seating comfort and height adjustment. It’s often called a “throne”.

8. Ride Cymbal: This can be as large as 19″ in diameter and $260 in cost.

9. Crash Cymbal: This can be a 10″ diameter cymbal and $160 in cost.

10. High Hat Cymbal: A floor-stand holds two horizontal cymbals that are brought together using a foot pedal.

11. Cymbal Stands: Most stands rest on the floor.

12. Toms: These are like a drum without snares. A floor tom can be 14″ in diameter and 14″ deep. Two smaller toms are often attached to the top of the hoop-rim of the bass drum. .

One must also take care of the following points before purchasing a drum: 1. Avoid getting carried away by visions of “soloistic flight.”

2. A fancy demonstration of percussion skill by a salesperson should not be the main reason for making a purchase.

3. Glitter, lacquer and external finish are the least important factors when purchasing a drum set.

4. Learn to listen well to the sounds that are produced.

Article Source: http://EzineArticles.com/?expert=Peter_Lenkefi

Do you want to bang on your drum all day, but are worried you’ll drive you loved ones away. Don’t worry; your dreams of becoming the next great drummer can still come true! There are quick and easy ways to help keep your family, friends, and neighbors happy while still allowing you to drum it up. So, grab your sticks and take some notes because it’s just about drum time!

Communicate

The key to any successful relationship is communication and this is no less true when you’re talking about your drums. Think for a moment about who might be affected by your choice to drum? Typically, housemates and neighbors top the list.

Before you start banging on those drums all day, consider having a chat with these folks and see if you can work out a way for everybody to happily coexist in Drumworld. See if there are better and worse times for you to drum. If you think it might help (and you’re willing), invite the person for a drum lesson. Once a person gets the beat into their own hands, you’d be amazed at how quickly a dissenter becomes a fan!

Go electronic

If you live in a small space and have sound-sensitive neighbors, a drum machine or electronic kit might be best for you. With the ability to moderate the volume, you’re sure to keep your neighbors happier than if you were drumming it out on a full set. When you go electric, you enter a whole new world of drumming; a world where the beat can all be in your head.headphones, that is!

Create a quiet room

The professionals who have unlimited cash supplies create fancy soundproof rooms complete with high-tech acoustic materials on the walls, floors, and ceiling. But, do you know what? You can create your own “quiet” room with a little ingenuity and a bit of elbow grease. Of course, yours won’t necessarily be the height of elegance and hipness, but it’ll do the trick.

Did you know that carpet scraps provide an excellent soundproofing medium? Visit your local carpet seller and grab as many free scraps as possible. Then, layer these on the wall of your music “studio” (e.g., your garage). Be sure to focus on the walls and ceiling as these will be where most of your sound escapes and resonates. The more layers, the better!

Invest in cymbal mutes and drum practice discs.

If you’re not quite ready to go full shag carpet on your walls and ceilings, consider investing in cymbal mutes and practice discs for your drums. Becoming more and more popular, these drumming accessories make a world of difference in the sound department. By significantly reducing the amount of sound your drum set sends out, you might find that your neighbors and housemates don’t even know you have a drum!

Go ahead, bang on that drum all day-just make it quiet to keep your friends and family happy! No matter how you do it, quieting your drums can not only save your relationships and your standing with your neighbors, but can also help you to appreciate the sound that your kit makes when it’s not muted.

Article Source: http://EzineArticles.com/?expert=Jon_Butt

There are two very strong opinions regarding the use of electronic drums or drum machines. Some musicians and music producers love the use of these kits. Others, hate them, and strongly disagree with the use of electric drum sets in the mainstream music industry.

Drum machines are a widely used type of electric machine that have become very popular in almost all types of music. A drum machine is a small box with buttons on it that can be programmed for a variety of different sounds, and beats. A drum machine can be programmed to play a continuous loop or simply a short set.

Advantages of Drum Machines:

Convenient and portable

Easily programmable

Simulate a variety of sounds

Excellent for faster beats

Because drum machines are so small, they are extremely convenient and portable which makes them a popular choice for many musicians. For some bands, if they have to hire a drummer for live shows, it can simply be much more cost effective to use a drum machine in place of a live drummer.

In fact, in some cases when a drummer has quit the band, the band will simply use a drum machine in place of the person. This strategy is more cost effective, and often easier than dealing with different personalities.

Drum machines can be programmed for almost any sound imaginable, and with a little practice, they are easily programmable. Today’s drum machines can store a wide variety of beats, songs and programs. Therefore, an entire set can be programmed into these machines.

While electronic machines are not perfect for every type of music, they are often thought of as more effective than acoustic drums for dance music. The beats that are required for dance music are very fast and often a live drummer cannot keep up with them. In these situations, electronic machines are perfect.

Electronic Drum Sets

An electronic drum kit is another very popular form of technology that is used in drumming. These kits consist of one or more electric pads that are grouped together and create sounds when they are struck. Most of the time, traditional drumsticks are used for these kits.

Electronic drum sets can be programmed with a wide variety of sounds and can be made to sound very similar to an acoustic drum set. Often, one or two electronic drums are used alongside acoustic drums to simulate the sound of a missing drum. For example, if you do not want to lug around a large bass drum, an electric drum can be used in its place.

Controlling the volume on these sets is as easy as turning a knob to turn down the volume, which makes them the perfect drum set for apartment dwellers, or those musicians with roommates or cranky parents. Quiet practice is a big benefit of the electric drum.

Many argue that electric drum sets are tacky. Because they were first introduced in the 1980′s, electric drums quickly got a reputation of being cheesy. In addition, many believe that the only thing that electronic drums are good for is for play, but not for real musicians.

The Argument Against Electric Drums

The biggest argument against electronic drum sets or drum machines is that they lack feeling. For many musicians, playing music is all about the feeling and emotion that they can project through their sounds. They argue that when you take a live drummer and replace them with a machine, you lack the feeling and the quality of emotion.

For some types of music such as jazz and soul, machines are not appropriate at all because these are genres that exude feeling and emotional meaning in the sounds created. Therefore, many musicians feel that it is extremely tacky to use a machine in these genres.

Although a drum machine is small and portable, you cannot improvise with a machine. It is programmed to play a loop and that is it. There is not room for any impromptu changes and the rest of the musicians must be on beat, or it will be very noticeable. A machine cannot accompany a soloist either. Moreover, one of the biggest arguments with a machine is that it is not very nice to look at!

Can authentic sounds truly be replicated by a machine? That question is the basis for another argument against electronic drums. Many believe that as good as they are, computers cannot recreate an authentic acoustic drum set. Critics claim that machines sound hollow and tinny and not at all like drums should sound.

What Is The Solution?

As with any argument, there will not be a one size fits all solution. The best solution for each individual and each band is to do what they like best, and what suits their sound. Many bands and musicians have created a compromise by using acoustic drums with a mixture of electronic drum pads and drum machines. By intermingling the two types of drums, you have the technology to create some new and interesting beats, as well as the authentic sound and emotional feel of acoustics. Perhaps a compromise is the best solution to this debate.

About the Author
Kevin Brown is successful author and publisher of many informative websites.